Let’s Try Something New - Win 2 Hours at MillFactory Studios
Hi everyone!
I’ve decided to start using Sleeve a little differently from now on.
If you’re reading this by email, Sleeve is the platform this message comes from. The nice thing is that you can also visit the post online, leave a comment and join the conversation.
Alongside course news and studio updates, I’ll also be sharing production tips, behind-the-scenes moments and questions for the community. What I really like about Sleeve is that it allows us to have actual conversations instead of just one-way updates.
So let’s start today.
What’s the one thing that’s currently holding you back the most in your music?
It could be recording, mixing, mastering, finishing songs, finding clients or anything else that’s getting in your way.
Just leave a comment below.
As a thank you for joining in, I’ll randomly draw one person from the comments to receive a 2-hour session with me in MillFactory Studio A. We can use the time for recording, mixing, mastering, production or mentoring - whatever will help you the most.
I’ll announce the winner in one week.
I’m really looking forward to reading your answers.
See you in the comments!
More posts
Compression Explained - Part 3
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Compression Explained - Part 2
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Compression Explained - Part 1
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/ Comments·24
Hi Boe. Thanks for the post. As you know, my main challenge as self employed has been time, for the past years. But when that is said, I am still struggling abit to record guitars in the box properly (UA Apollo and plug-ins) and making the right decissions cleaning up sessions, mixing and mastering MY OWN music and tracks. I am currently optimizing my home studio for better reference listening and room correction as I found some major flaws/freequencies in my setup after learning about acoustics at your advanced course. I learned so much from your cources in the spring, and I am getting closer to the mixing and mastering results I am looking for, with the techniques I learned. But still I am still not sure about the final decissions when mixing and mastering for the result to be “good enough”. It would be nice to have an objective avaluation and mixing session with you some day on a prepared session. Love to read your posts - keep up the good work. You bring so much value to us as a mentor ;-)
Hi Klaus. Thanks so much for the kind words. Was a pleasure having you with us on the courses. First, as you know, perfect music or mixes doesn't exist. As U2's guitar player said: "The music of U2 never gets finished - but it's released now and then". :-) That said there's two things that can really help in those last stages. One is using references. It can be really humbling :-) but worth it. Second is as you are suggesting - to play it to people who's ears you trust. Most people - me included loves to hear what others are doing and not holding back constructive critique. Keep up the good work! /Boe
Hey Sleevers! I'm a composer from amsterdam, making experimental pop and intense dance tracks. Even do i feel very confident about my instrumentals, i would love time in the studio to record some vocals. So let me know if we can find time for recording. Best FTGRL
Hi FTGRL. Link to your music?
https://ftgrl.bandcamp.com/?ui_context=usernav
Wow, you're productive. So, adding some vocals is your next step? Got a vocal mic?
i do!
Ok, what brand? What is the most challenging thing now to get some vocals in?
I am a songwriter, currently publishing my own songs with AI backing tracks. As a music lover this is not my ideal way to produce. I would love the opportunity to finish my songs with real music editing, mixing and mastering.
Music comes in so many shapes these days. Do you play an instrument?
I play basic piano, and I'm just starting learning the saxophone.
I'm a pianoplayer two. That's a great base for music production. Learning music production is like learning to play piano. Start with lowering you expectations to the outcome. Your best friend is your DAW, Logic, Protools etc. Spend some time really getting familiar with is. But do it WHILE your working on some cool sounds. Then start copying. Everybody want to be unique these days but to learn a new skills you have to copy first. Like kids do it. As a piano player I started listening to other piano players, Chick Corea, Herbie Hancock etc. I took small snippets of their performances and played on top. I did until it sounded like there was only one piano :-) Then is analysed it and took it to different keys etc. If you do the same learning music production, you could take a song that you like and copy what they did. Just a small part of it - like the verse. What is the snare doing? Is it deep? Dry? etc. It sharpens your ability to listen and improves your skills. NOW use that on your own songs. Keep pushing!
That's good advice thank you. I will try that.
Hi, hope you are well!! Played acoustic guitar since I was a kid and really enjoyed recording my own covers using the good old Audacity! Now that I am in Copenhagen decided to learn a bit more about mixing and mastering to record my own covers with great quality. What I love about it is that it is really a mix between technical knowledge, listening and emotions, which is art!! And training my ears is something that I am having a bit of trouble with. Really being able to tell accurately what the eqs, compressors and preamps are really doing and then make the best decisions based on it. Do you how is it possible to train them better or how was it in your experience? Thank you!!
What I teach at CMA is methods for using eg. equalizers. If you do suttle changes it is hard to hear if it's doing anything good or not :-) So try this on a single track - eg a vocal: Take a band of eq and make a steep filter (high Q - looks like a mountain :-)) Bootst 10-20 dB an sweep through the frequency spectrum. When you hear something that sound WORSE that the other stuff, you've found a resonant peak. Now take it down take that harsh frequency down a few dB (or more). This is a METHOD for using eq that I use.
Nice! I will try that!
🎉 Congratulations! You were randomly selected as the winner of the 2-hour session at MillFactory Studios. Send me a DM or email me at boe@millfactory.dk, and we’ll find a date that works for both of us. Looking forward to meeting you!
Thank you so much for this experience!!! Amazing content and opportunity!!!
Was great to have you have you here. Looking forward to hearing what you will create with those new tools :-)
The conversation is rolling - thanks guys. That was the idea. Please share the link to this with friend who's sharing our passion. https://copenhagenmusicacademy.sleeve.fm/p/let-s-try-something-new-win-2-hours-at-millfactory-studios
Hi Boe. My biggest challenge is getting my drum recordings to sound professional at home. I often struggle with the phase relationship between the different mics, and it's difficult to achieve a solid punchy drum sound. In particular, i find that my overheads tend to sound harsh and piercing rather than smooth and balanced. I'm not sure if it's the mic placement, phase alignment, room acoustics, or a combination of all three. I often record drums in small recording spaces or home studios. I would really like to learn how to capture a more cohesive and professional drum sound. Thank you for the post. Best, Rasmus
Hi Rasmus Your challenge is very typical for recording drums in small spaces. Too things I would like to adress. Phasing I've made a little video explaning... https://vimeo.com/1213212193/cecbc15148 In addition to that you should also check the relationship between bass- and snaredrum vs. overheads. Harsch cymbals. The issue is likely the splash coming back from nearby walls. Two options. 1) Put some dampening, blanket etc. on the closest wall to calm it down. 2) Put your overhead mics closer to the cymbals so they pick up more of the direct sound and less of the hard room. Have fun!
Hi Boe, Thank you so much for the helpful advice and the video. I'll definitely take a closer look at the phase relationship between the different drums mics. I'll also look into getting some blankets or other acoustic treatment for my room. Thanks again for taking the time to help. I really appreciate it :)
Welcome to the comments! 👋 I’d love to hear what you’re working on and what’s currently holding you back in your music. Let’s talk music!